Die Realisierung dieses revolutionren Entwurfs wurde mglich da in dieser Zeit der Klebstoff Photobond 100 entwickelt wurde. Designed in 1976 Kuramatas iconic Glass Chair consists of sheets of glass.
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With his Glass chair appearing almost immaterial Kuramata playfully turns our expectations for the functionality of the piece upside down.
Glass Chair Shiro Kuramata. Nel 1976 con la sua sedia Glass Shiro Kuramata proposeuna nuova interpretazione della poltrona un classico mobile della tradizione occidentale. After a restless childhood his ideas of being an illustrator having been discouraged Kuramata discovered design during his time at the Teikoku Kizai Furniture Factory in Arakawa-ku in 1954. That chair can be found not just in the VA Museum in London but MoMA in New York.
Shiro Kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. After a restless childhood his ideas of being an illustrator having been discouraged Kuramata discovered design during his time at the Teikoku Kizai Furniture Factory in Arakawa-ku in 1954. Die rechteckigen Formen der Platten und die Einheitlichkeit des Materials lassen diesen Stuhl in.
Please note your bid limit has been reached. Employing the revolutionary new industrial product Photobond 100 which cleanly bonds glass Kuramata was able to join six sheets of glass without screws mounts or reinforcements thus eliminating all traces of structure. Lire le rapport dtat.
In 1965 he established his own interior design practice and mostly designed clubs and bars in Tokyo. This breakthrough surely inspired Sottsass a decade. To - 50000 USD.
By dissolving the solidity of the form he questions its ability to support our weight encouraging us to imagine its disappearance all together. Not on view Inspired by the futuristic set designs in Stanley Kubricks 2001. He tried to make things disappear and repeatedly created borderline objects at the critical point of transformation where as Ettore Sottsass just to say material becomes light weight becomes air.
It builds on the avant-garde planar construction of De Stijl but offers an innovative method of bonding the glass at each join with ultraviolet-hardening adhesive. 1957 begann Kuramata fr eine kleines Kaufhaus namens San-Ai zu arbeiten. Kuramatas Miss Blanche chair 1988 a transparent resin chair flecked with synthetic roses creates the appearance of a sitter floating on a cloud of blooms.
A Space Odyssey Glass Chair is a landmark in twentieth-century furniture design. Die Realisierung dieses revolutionren Entwurfs wurde mglich da in dieser Zeit der Klebstoff Photobond 100 entwickelt wurde. Kuramatas Miss Blanche chair 1988 a transparent resin chair flecked with synthetic roses creates the appearance of a sitter floating on a cloud of blooms.
From 1976 Kuramata created a series of radical shop interiors for Issey Miyake. Shiro Kuramata geboren 1934 in Tokio besuchte die Fachhochschule Tokio wo er Holzbearbeitung studierte und das Studium 1953 beendete. Lire le rapport dtat.
After his death the exhibition Shiro Kuramata 1934-1991 at Hara Museum of Contemporary Art of. His representative works includes furniture such as Miss Blanche Glass Chair How High the Moon and a number of commercial architecture includes Issey Miyakes boutiques. Designed in 1976 this work is from an edition of 40.
Shiro Kuramatas Glass Chair 1976 A superb example of Kuramatas technical know-how and restless creative vision is embodied in his Glass Chair 1976 Kuramata had watched and enjoyed Stanley Kubricks 1968 film 2001. SHIRO KURAMATA GLASS CHAIR. The Glass Chair one of Kuramatas master works exemplifies this fascination with immateriality and transparency.
Shiro Kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. This chair strikes a last moment pose before dissolving its objectness. Produced by Mihoya Glass Tokyo.
A breakthrough concept and one that is profoundly true to its material Glass Chair set a precedent for the direction of design in glass in which the simplicity transparency and seeming weightlessness of the material are emphasized. Shiro Kuramatas Glass Chair 1976 Shiro Kuramata was so idiosyncratic and his works so prized that its debatable whether his furniture should be seen as design or art - certainly in the case of his How High The Moon armchair. Der Klebstoff ermglichte eine sichere Verbindung von Glas.
Miniatur Glass Chair 1976 entwarf der japanische Designer Shiro Kuramata den Glass Chair. La sedia ridotta ai suoi elementi essenziali diventa una forma semplificata ma complessa di arte e design. Danach begann er ein Innenarchitekturstudium am Kuwazawa Institut fr Design in Tokio das er 1956 abschloss.
Register or Log-in to view condition report. 892 H by 898 by 60 cm 35 18 H by 35 38 by 23 58 in. Kuramata wanted to go beyond the limits of the material world.
Der Klebstoff ermglichte eine sichere Verbindung von Glas. Shiro Kuramata 1934-1991 studied architecture and cabinet-making and is considered the most influential designer of postwar Japan. Shiro Kuramatas iconic Glass Chair is one of the most influential furniture designs of the 20th century.
Miniatur Glass Chair 1976 entwarf der japanische Designer Shiro Kuramata den Glass Chair. Number 29 from an edition of 40.
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